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The Orville: New Horizons – Latter-Season Review




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Back in , Riverdale was sold to audiences as a gritty Gossip Girl meets Pretty Little Liars — a dark and sexy mystery live-action series centered on a group of protagonist teenagers and a few shady adults. The head-scratcher: it was set in the notoriously wholesome universe of Archie Comics, known for its ongoing series where a popular teen redhead named Archie Andrews is in an on-and-off love triangle with his two best friends Betty and Veronica, and a guy named Jughead is just off to the side wearing a crown and eating hamburgers. Though it was an odd concept to some, the first season of Riverdale worked, remaining faithful to the Archie world, incorporating characters like high school teacher Mrs. The thing is, when it comes to David Lynch's work, we expect chaos. With Riverdale, the descent from serious teen whodunnit drama into a balls-to-the-wall paranormal fantasy that brings people back from the dead, causes Catholic nuns to commit mass suicide, and gives every single main character their own superpowers, all while semi-frequently having them break out into song and dance, was, uh, unexpected. The more critically panned Riverdale becomes, the more the show leans into chaos.



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Isaac Asimov's Foundation is not the sort of book you read and wonder, why hasn't this been adapted into a laser-blasting, spaceship-exploding blockbuster space opera yet? The best way to describe the first book in Asimov's centuries-spanning series is "groups of guys sitting in rooms and discussing events that you never actually get to see," which is not exactly material that lends itself to the neon light show sci-fi entertainment we've grown to expect. Foundation , set in the far future of humanity at the beginning of the end of a galaxy-wide empire, feels more like a philosophical parable than a lightsaber battle, with interplanetary warfare and spaceship dogfights mentioned offhand rather than made the center of attention.





After starting off with an incredibly strong first half of the season, New Horizons settles into a more formulaic storytelling mode before buttoning things up haphazardly with the final episode. While reviewing the first half of the season , I relied on the old adage that a good critic should always separate the art from the artist, even if said artist is making that job difficult. I make no apologies for claiming that it has, even if the second half of the season missteps in key areas.

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